VIDEO

2024

COMING SOON
ABSERVIERT


WINTERSEMESTER 24/25
CLASS FOR MOVING IMAGE
G. PROF STINI ROEHRS

TALENTS
FLEURIE MALBURG
PHILIPP LEHFELDT
OSKAR EKKASIT

DIRECTION
FELIX VON DER GOLTZ

DOP 
TIM WOLV

SET DESIGN
LEA KLUG

SET DESIGN ASSISTANT
FRIEDERIKE  KLOSS

SOUND 
MATHIS VON DER GOLTZ

PIANO
MATHIS VON DER GOLTZ

VIOLIN
HANNA FORG

LOCATION
BOSTICH BERLIN

SUIT
MAXIMILIAN MOGG



Germany is at a critical turning point: A shift to the right is becoming apparent, and right-wing extremist, populist, and misanthropic statements are spreading increasingly online—often unnoticed or even tolerated. This normalization of hate does not remain in the digital sphere but has actively influenced society in real life.

The short film presents an everyday scene: A man and a woman meet for an upscale dinner at a restaurant. What starts as a harmless conversation quickly escalates—the man begins expressing xenophobic, antifeminist, and populist views. The woman challenges his statements with facts, morality, and conviction. The striking aspect of this discussion is that most of the conversations statements are taken from real comments on Instagram and TikTok.

This confrontation makes one thing clear: Anonymity online should not be a free pass for spreading hate. Radical and inhumane rhetoric must be taken seriously and actively opposed. Silence means tolerance—and tolerance leads to normalization. It is up to all of us to draw a firm line before it is too late.


TREFFPUNKT
MY CAMERA MY RULES
VISUELLE KOMMUNIKATION
SUMMERSEMESTER 24

TALENTS
CYRILL MASQUELLIER
FLEURIE MALBURG
JULIEN BRENNER

DRECTION & CAMERA
FELIX VON DER GOLTZ

CAMERA ASSISTANT
FRIDOLIN KANDEL


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PASSWORD:
FVDG_2024

DIGITAL REALITIES
SEMINAR BY ELKE STERLING PRESSER
WINTERSEMESTER 23/24

3D ANIMATION & MUSIC
FELIX VON DER GOLTZ


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The seminar aimed to cultivate a diverse array of narrative spaces capable of precisely delineating perceptions, meanings, and sensory experiences. Using digital and analogue tools, spatial relationships, structures and atmospheres were explored in conjunction with objects. 
The culmination of these efforts was showcased in an exhibition (Rundgang Universität der Künste 2024) at the conclusion of the seminar, where the students' work was presented to the public.